Past Exhibitions

The Photography Show

The Photography Show

Evergon, JJ Levine, Rebecca Foon, Karin Bubaš

April 25 to April 28, 2024

 

PARK AVENUE ARMORY

643 Park Ave, New York, NY 10065

 

Image: JJ Levine, Tulips and Raspberries, 2018, C-Print

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Plural Contemporary Art Fair

Plural Contemporary Art Fair

Adam Basanta, Nathalie Bujold, Karin Bubaš, Evergon, Rebecca Foon, Ekow Nimako, Skawennati, Sabrina Ratté

April 11 to April 14, 2024

 

Grand Quay, Port of Montreal
200 de la Commune W. St.

 

Image: Sabrina Ratté, Plane of Incidence, 2024

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Stanley Wany

Stanley Wany

Rhizome

April 4 to May 11, 2024

Opening Thursday April 4 from 5pm – 7pm

 

Image: Rhizome, 2024, 152 x 152 cm, Ink, polymer medium and acrylic on wood panel. Photo : Michel Pinault

 

With support from the Société de développement des entreprises culturelles, the Conseil des arts et des lettres du Québec, and the Canada Council for the Arts

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ZⓈONAMACO FOTO

ZⓈONAMACO FOTO

Emmanuelle Léonard

February 7 to February 11, 2024

ZⓈONAMACO

Centro Citibanamex

Mexico City ()

 

Battling the biting cold, Emmanuelle Léonard had the idea of working with a thermal camera.  Patiently awaiting the precise alignment of elements within each composition, she never staged the scenes unfolding in front of her lens. The series Black Out (The Deliverers) authentically captures the experiences of workers, particularly food delivery people, silently and steadfastly carrying out their duties amid the impactful era of the pandemic.

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Nathalie Bujold

Nathalie Bujold

Métroscopies

January 31 to March 16, 2024

Opening January 31, 2024 from 5pm – 7pm

 

Métroscopies is a videographic exploration of the Montreal Metro within the context of the Covid pandemic. The videos capture spontaneous moments enabled by the discreet use of a smartphone and the anonymity provided by mandatory masks. Through the interplay of parallaxes, fragmented into a kind of cubist checkerboard, the narrative navigates seamlessly from tunnel to station, from familiar locales to the realms of visual art, all in the pursuit of serendipitous encounters. Along an unexpected trajectory, we observe the whirlwind of this chronicle of moments, characterized by Brutalist accents and epochal colours, featuring spaces that have indelibly shaped our imaginations and continue to punctuate our daily lives.

 

Special thanks : Michel Langevin, Patrice Fortier, Canada Council for the Arts and the Conseil des arts et des lettres du Québec.

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