Adam Basanta

Adam Basanta (b. 1985) is an artist, composer, and performer of experimental music. Born in Tel-Aviv (ISR) and raised in Vancouver (CAN), he currently lives and works in Montreal (CAN).

In his installation works, Basanta arranges common commercially available objects into delicately intertwined and seemingly performative choreographies, disrupting their technical and economic functions while revealing their material agencies and status as extended technological prostheses. He frequently uses new technologies, because they allow him to orchestrate performances which seem autonomous and allow us to reflect on the role of the artist, and more broadly, of human interaction with the creative process. Through self-managed technological installations (All We’d Ever Need Is One Another) or through the use of algorithms (Landscape Past Future), he creates new images and reinvents the relationship with the creative gestures.

Since 2015, his works have been exhibited in galleries and institutions including the Musée des beaux-arts de Montréal (CAN), Optica Centre d’art contermporain (CAN), Fotomuseum Winterthur (CH), Arsenal Art Contemporain (CAN), Galerie Charlot (FRA), National Art Centre Tokyo (JPN), V Moscow Biennale for Young Art (RUS), Carroll/Fletcher Gallery (UK), American Medium Gallery (NYC), Serralves Museum (POR), Edith-Russ-Haus fur Mediakunst (GER), York Art Gallery (UK), and The Center for Contemporary Arts Santa Fe (USA).

His work has been awarded several international prizes, including the Japan Media Arts Prize (2016) and the Aesthetica Art Prize (2017). In 2018 he was longlistes for the Sobey Art Award (CAN), and in 2019 he was the winner of the Prix Pierre Ayot (QC). His work can be found in the institutional collections of the Musée d’art contemporain de Montreal, the Musée national des beaux-arts du Québec, and the Ville de Montréal.

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